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profession in broad-based training.
BFA in Performance:
Erik Fredricksen (Acting & Stage Combat)
Sarah-Jane Gwillim (Acting)
Philip Kerr (Acting)
Annette Masson, Junior/Senior Advisor (Voice)
Janet Maylie, Foundation Advisor (Acting & Acting for the Camera)
Joan Morris (Cabaret)
John Neville-Andrews, Head of Performance (Acting & Directing)
Jerald Schwiebert (Movement & Acting)
Malcolm Tulip, Directing Concentration Advisor (Acting & Movement)
BFA in Design & Production:
Gary Decker, Technical Theatre (Set & Lighting Design)
Jessica Hahn (Costume Design)
Vince Mountain, Head of Design & Production (Set Design)
Rob Murphy (Lighting Design)
Christianne Myers (Costume Design)
Theatre Studies:
Enoch Brater (Dramatic Literature)
Glenda Dickerson, Minor in African-American Theatre Advisor (African-American Theatre)
Barbara Hodgdon (Shakespeare)
Holly Hughes (Performance Art)
Petra Kuppers (Performance Studies)
Mbala Nkanga, BA Advisor (World Performance, Theatre Studies )
OyamO (Playwriting)
E.J. Westlake, BTA Advisor (Drama & Theatre History)
Leigh Woods, Head of Theatre Studies (Drama & Theatre History)
Hana Worthen (Finnish Theatre)
William Worthen (Modern British and American drama)
Arts Management:
Kerianne M. Tupac, Lecturer; Performing Arts Management
Costume Construction:
George Bacon, Lecturer, is the associate costume shop manager for University Productions. He often designs costumes for
School of Music, Theatre & Dance productions, including recent productions of Children of Eden, Parade, and Candide. He received his MFA
in Costume Design from the University of Michigan and a BFA in Fashion Design at the University of Wisconsin at Madison.
He holds an AA in Fashion Design from the Fashion Institute of Technology, New York City.
Janine Evans, Lecturer, is the costume shop supervisor for University Productions.
Electrics & Lighting:
Mark Allen Berg, Lecturer, is master electrician for University Productions. He has designed lighting for many U-M
productions, including Henry V, Candide, Parade and Oklahoma! He spent ten years on Broadway/Off-Broadway with the
Nederlander Organization, designing lighting for such plays as Romance, Romance and Broadway Bound. His regional
theatre credits include Exile in Jerusalem, Isn't It Romantic, Death and the Maiden, and The Price for the Jewish Ensemble
Theatre. Berg is also the resident lighting designer for Michigan Shakespeare Festival and Dance Ensemble of Michigan.
Properties:
Arthur Ridley, Lecturer, is the properties master for University Productions. His design credits at the University of Michigan
include scenic design for Oklahoma!, The Tavern, Side Show, Sweeney Todd, Pal Joey, and costume design for A Funny
Thing Happened on the Way to the Forum. He has designed scenery and costumes at the Repertory Theatre of St. Louis
since 1984; scenery/costumes at St. Louis Black Repertory Co. since 1991; The New Theatre, The Body Politic, Victory
Gardens, Indiana Repertory Theatre, Actors Theatre of St. Paul, and Stage West. Ridley was previously on the faculties of
Webster, Purdue, and Washington Universities.
Scene Construction and Technical Direction:
Douglas Edwards, Lecturer, is a technical director for University Productions. After graduating from the University of
Michigan, he began a 17-year run as member of various road crews for national touring companies. He's served as
production carpenter for the Broadway shows Macbeth and Neil Simon's Proposals, and as head carpenter for the national
tours of The Sisters Rosenweig and Lost in Yonkers for producer Emmanuel Azenberg. Other national tours which have
allowed him to travel extensively across the U.S., Canada and Europe include Rent, Penn and Teller, Agnes of God,
Camelot, On your Toes and Sweeney Todd. It's been his pleasure to work with some notable set designers such as Eugene
Lee, John Lee-Beatty, Santo Loquasto, and with directors Harold Prince and George Abbott. Edwards is also the production
manager for the Ann Arbor Summer Festival.
Richard Lindsay, Lecturer, is the Walgreen Drama Center scene shop supervisor and technical director for University
Productions. He instructs students in scenic construction, technical direction, and CAD drafting for the theatre, and
supervises the building of scenery by new undergraduates. Lindsay's technical, production and design credits include
productions for SF Bay Area Performing Arts Alliance in Palo Alto, CA; Capital Rep of Albany, NY; the Long Island Dance
Co. and the Huntington Summer Arts Festival in Long Island, NY; BoarsHead Michigan Public Theater and Lansing
Community College in Lansing, MI; Tibbits Opera House in Coldwater, MI; Michigan Shakespeare Festival in Jackson, MI;
and the University of Michigan's Festival of New Works. Lindsay has also done work in the Ann Arbor area, designing
scenery for the Wild Swan Theater and the Young People's Theater; and work for Sapsis Rigging, surveying and installing in
a mix of venues in th Detroit metro area. Most recently, he has worked with John Neville-Andrews in developing the
Michigan Shakespeare Festival. Lindsay received his theatre degree from the Conservatory Program at S.U.N.Y. Purchase
College. He is a journeyman member of IATSE Local 274, the professional theatrical employees union.
Scene Painting:
Toni Auletti, Lecturer, is the charge scenic artist for University Productions. She received a BFA from Wayne State
University and an MFA from the University of Michigan.
Sound for Theatre:
Henry Reynolds, Assistant Professor and Computer Systems Administrator
Stage Management:
Nancy Uffner, Lecturer, is the production stage manager for University Productions. Her national tours include Fame, Ken
Hill's Phantom of the Opera, South Pacific with Robert Goulet, and Camelot with Richard Harris. Her regional theatre credits
include the University of Michigan's Festival of New Works, the Goodman Theatre, Steppenwolf, Actors Theatre of Louisville,
Chicago Opera Theatre, Virginia Stage Co., and Baltimore's Center Stage. Uffner also has stage managed the dance
company of Peter Sparling and Company. She has taught at Eastern Michigan University and Northwestern University.