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Alumni

NOTES: Alumni/ae are invited to send updates of recent activities to the School of Music, Theatre & Dance for inclusion in an upcoming issue of Michigan Muse. Please send corrections and additions to the list below to mhmweb@umich.edu.


Please click the links for lists of recent dissertations in ethnomusicology and historical musicology.

  • M. Antonette Adiova (Ethnomusicology)
  • Karen Ahlquist (Historical Musicology), George Washington University
  • Robert Allen III (Historical Musicology), Mary Baldwin College
  • Abby Anderton (Historical Musicology), Baruch College
  • Robin Armstrong (Ethnomusicology), University of Western Maryland
  • Melanie Batoff (Historical Musicology), Baldwin Wallace University
  • Tamar Barzel (Ethnomusicology), Wellesley College
  • Amy Beal (Historical Musicology), University of California, Santa Cruz
  • John Behling (Ethnomusicology)
  • Marc Benamou (Ethnomusicology), Earlham College
  • Kristina Benitez (Ethnomusicology), Philippine Women’s University
  • Daniel Blim (Historical Musicology), Drew University
  • Gernot Blume (Historical Musicology), Lewis and Clark College
  • Todd Borgerding (Historical Musicology), Colby College
  • Allen Britton (Historical Musicology), University of Michigan, Ann Arbor
  • Tara Browner (Historical Musicology), University of California, Los Angeles
  • Kate Brucher (Ethnomusicology), De Paul University
  • Julia Byl (Ethnomusicology), King's College London
  • Alexander Cannon (Ethnomusicology), Western Michigan University
  • Hyun-Kyung Chae, University of Ulsan
  • Sylvia Chao (Ethnomusicology)
  • Joys Cheung (Ethnomusicology), University of Hong Kong
  • J. Bunker Clark (Historical Musicology), University of Kansas
  • Carmelo Comberiati (Historical Musicology), Manhattanville College
  • Vicki Comberiati (Historical Musicology), Ivey Barnum and O’Meara Law Firm
  • Andrew Connell (Ethnomusicology), James Madison University
  • Susan Cook (Historical Musicology), University of Wisconsin, Madison
  • Nym Cooke (Historical Musicology), College of the Holy Cross
  • Richard Crawford (Historical Musicology), University of Michigan (Professor Emeritus)
  • Stephen Davison (Historical Musicology), University of California, Los Angeles
  • Todd Decker (Historical Musicology), Washington University
  • Nanette DeJong (Ethnomusicology), Newcastle College
  • Jennifer DeLapp (Historical Musicology), University of Maryland, College Park
  • Allison DeSimone (Historical Musicology), University of Michigan
  • Bretton Dimick (Ethnomusicology), College of Charleston
  • Darlene Dreyer (Historical Musicology), Paducah Symphony
  • Joshua Duchan (Ethnomusicology), Wayne State University
  • Amanda Eubanks-Winkler (Historical Musicology), Syracuse University
  • Nicholas Field (Historical Musicology), University of Toledo
  • David Fish (Historical Musicology), St. Andrews Presbyterian College
  • Vera Flaig (Ethnomusicology), University of Michigan, Dearborn
  • Tim Freeze (Historical Musicology), Indiana University
  • Rebecca Fülöp (Historical Musicology), University of Michigan
  • Kyra Gaunt (Ethnomusicology), Baruch College
  • Sarah Gerk (HIstorical Musicology), Oberlin College
  • Catherine Gordon-Seifert (Historical Musicology), Providence College
  • Jocelyn Guilbault (Ethnomusicology), University of California, Berkeley
  • David Haas (Historical Musicology), University of Georgia
  • Jane Hardie (Historical Musicology), University of Sydney
  • William Hettrick (Historical Musicology), Hofstra University
  • H. Wiley Hitchcock (Historical Musicology), CUNY
  • Luke Howard (Historical Musicology), Brigham Young University
  • Candida Jaquez (Ethnomusicology), Scripps College
  • Lisa Davenport Jenkins (Historical Musicology)
  • Jesse Johnston (Ethnomusicology), National Endowment for the Arts
  • Alyson Jones (Ethnomusicology)
  • Mark Katz (Ethnomusicology), University of North Carolina, Chapel Hill
  • Laura Kennedy (Historical Musicology), Furman University
  • Rebecca Klest Walsh (Historical Musicology), Ann Arbor Symphony
  • David Klocko (Historical Musicology), University of Maine
  • Tracey Laird (Ethnomusicology), Agnes Scott College
  • Thomasin LaMay (Historical Musicology), Goucher College
  • Bradley Lehman (Historical Musicology), EPOS Corporation
  • Beth Lenz (Historical Musicology), Independent Scholar and Teacher
  • Rene Lysloff (Ethnomusicology), University of California, Riverside
  • Barbara Dobbs Mackenzie (Historical Musicology), RILM Abstracts of Music Literature
  • Michael Mauskapf (Historical Musicology)
  • Dianne McMullen (Historical Musicology), Union College
  • Jeffrey Magee (Historical Musicology), University of Illinois, Ubana-Champaign
  • Patricia Matusky Yamaguchi (Ethnomusicology), Grand Valley State University
  • Scott Messing (Historical Musicology), Alma College
  • Roark Miller (Historical Musicology), Southern Methodist University
  • Paul Munson (Historical Musicology), Union College
  • Sterling Murray (Historical Musicology), West Chester University
  • Andrew Nardone (Historical Musicology)
  • Inna Naroditskaya (Ethnomusicology), Northwestern University
  • Michael Naylor (Ethnomusicology), Wayne State University
  • Stephanie Ng (Ethnomusicology)
  • Mohd Anis Md Nor (Ethnomusicology), University of Malaysia
  • Robert Oldani (Historical Musicology), Arizona State University
  • Paul Osterhout (Historical Musicology)
  • Nancy Perloff (Historical Musicology), Getty Center
  • Sabina Pieslak (Ethnomusicolgy), City College of New York
  • Nathan Platte (Historical Musicology)
  • Felicidad Prudente (Ethnomusicology), University of the Philippines
  • Rose Pruiksma (Historical Musicology), University of New Hampshire
  • Ronald Radano (Ethnomusicology), University of Wisconsin
  • Michal Rahfaldt (Ethnomusicology), University of Cape Town
  • Guthrie Ramsey (Historical Musicology), University of Pennsylvania
  • Thomas Riis (Historical Musicology), University of Colorado
  • Marta Robertson (Ethnomusicology), Gettysburg College
  • Esther Rothenbusch (Historical Musicology), Southern Baptist Theological Seminary
  • Colin Roust (Historical Musicology), Oberlin Conservatory
  • Jeanne Ryan (Historical Musicology), Shubert Theater, New Haven, CT
  • Eric Saylor (Historical Musicology), Drake University
  • Christopher Scheer (Historical Musicology), Utah State University
  • Linda Schubert (Historical Musicology)
  • Catharine Schwab (Historical Musicology), University of Michigan
  • Rebecca Schwartz-Bishir (Historical Musicology)
  • Kay Kaufman Shelemay (Ethnomusicology), Harvard University
  • Mark Slobin (Ethnomusicology), Wesleyan University
  • Adele Smaill (Historical Musicology)
  • Soedarsono (Ethnomusicology), Institute for the Arts, Indonesia
  • Scott Southard (Historical Musicology)
  • Yona Stamatis (Ethnomusicology), University of Illinois, Springfield
  • David Warren Steel (Historical Musicology), University of Mississippi
  • Matthew Steel (Ethnomusicology), Western Michigan University
  • Robynn Stilwell (Historical Musicology), Georgetown University
  • Paula Survilla (Ethnomusicology), Wartburg College
  • R. Anderson Sutton (Ethnomusicology), University of Wisconsin
  • Denise Pilmer Taylor (Historical Musicology), Harvard University Development Office
  • Jeffrey Taylor (Historical Musicology), Brooklyn College
  • Timothy Taylor (Ethnomusicology)r, University of California, Los Angeles
  • Dwight Thomas (Ethnomusicology), Messiah College
  • Catherine Tsai-Balaz (Historical Musicology), Chinese Culture University, Taipei
  • Judy Tsou (Historical Musicology), University of California, Berkeley
  • C. Joshua Tucker (Ethnomusicology), Brown University
  • Mark Tucker (Historical Musicology), deceased
  • Richard Wallis(Ethnomusicology), Garland Encyclopedia of Music
  • Susan Walton (Ethnomusicology), University of Michigan, Ann Arbor
  • Deborah Wong (Ethnomusicology), University of California, Riverside
  • Shinobu Yoshida (Historical Musicology)


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Photography Credits:

U-M Photo Services

Joe Welsh

Peter Smith

David Smith

Glen Behring

Tom Bower

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